Monday, March 14, 2011
Saturday, March 5, 2011
We Are All The Inventors
I recently heard on the radio that the Smithsonian has created a new exhibit showcasing American inventions. According to their website, “This story is told through many of our collections, revolutionary or mundane, from the light bulb to the can opener.”
Included in this collection is this guy:
That's right, the world's first frozen margarita machine. Pretty cool, if you ask me. I mean, how many dudes who never had a chance in hell before 1971 have gotten laid because of the sweet, boozy, lady slaying confections that pour out of these things? I'm gonna go with lots of dudes.
Interestingly, this was invented right here in Texas, and can, in fact, be verified as such. I'm not entirely sure how Texans process the knowledge that something can actually be proven to be a Texas invention, considering the fact that they seem to truly get off on completely fabricating portions of history to make it look like most of the world's great creations were birthed here. Sorry guys, but you did not invent the hamburger, nor the personal computer, nor bicycles, nor football, singular stars, Mexican food, horses, live music, or the concept of bigness. But the frozen margarita machine... that's pretty major.
Incidentally, if you'd like to take credit for some of the things we came up with in California, I'm sure none of us would mind. Plastic surgery, rollerblades, muscle pants, Gold's Gym (now headquartered in TX, so that kinda counts), traffic, gargantuan mansions built on totally unstable mud cliffs over the ocean, movie-star governors, smog, super shitty pop-punk bands, and bros are all up for grabs in the claim game.
Now don't get any crazy ideas just because I listed a bunch of lame stuff from Cali... I still think California is the greatest state in the nation. But hey, I'm obviously biased. And to be fair, I've only been to 45 states. Any opinions I may have about Delaware, Rhode Island, Vermont, New Hampshire, and Alaska are purely speculative and formed from L.L. Bean catalogs.
You'll have to forgive the low-key and nonvituperative nature of this blog, as I feel like my writing has been hibernating all winter and I'm just now stretchin' out the creaky old bones of thought and scurrility. I'm sure I'll be back to my cranky ol' self any day! Until then, I'm gonna enjoy this spectacular Austin day, sitting at my favorite sidewalk coffee joint, watching the parade of amazing characters, and looking forward to hanging out later with some truly cool Texans.
In the meantime, keep those hands up and lead with your jab. Most of the time.
Included in this collection is this guy:
That's right, the world's first frozen margarita machine. Pretty cool, if you ask me. I mean, how many dudes who never had a chance in hell before 1971 have gotten laid because of the sweet, boozy, lady slaying confections that pour out of these things? I'm gonna go with lots of dudes.
Interestingly, this was invented right here in Texas, and can, in fact, be verified as such. I'm not entirely sure how Texans process the knowledge that something can actually be proven to be a Texas invention, considering the fact that they seem to truly get off on completely fabricating portions of history to make it look like most of the world's great creations were birthed here. Sorry guys, but you did not invent the hamburger, nor the personal computer, nor bicycles, nor football, singular stars, Mexican food, horses, live music, or the concept of bigness. But the frozen margarita machine... that's pretty major.
Incidentally, if you'd like to take credit for some of the things we came up with in California, I'm sure none of us would mind. Plastic surgery, rollerblades, muscle pants, Gold's Gym (now headquartered in TX, so that kinda counts), traffic, gargantuan mansions built on totally unstable mud cliffs over the ocean, movie-star governors, smog, super shitty pop-punk bands, and bros are all up for grabs in the claim game.
![]() | ||
| No Really, We Couldn't Be More Proud |
You'll have to forgive the low-key and nonvituperative nature of this blog, as I feel like my writing has been hibernating all winter and I'm just now stretchin' out the creaky old bones of thought and scurrility. I'm sure I'll be back to my cranky ol' self any day! Until then, I'm gonna enjoy this spectacular Austin day, sitting at my favorite sidewalk coffee joint, watching the parade of amazing characters, and looking forward to hanging out later with some truly cool Texans.
In the meantime, keep those hands up and lead with your jab. Most of the time.
Labels:
american inventions,
bros,
frozen,
margarita,
Mexican food,
rollerblades,
smithsonian,
texas
Tuesday, February 22, 2011
The Future's So Bright, I Gotta Look Like A Full-On Bag of Douchetools
Basically the hardest thing that I, or any man for that matter, must ever deal with in life is a situation of such great import, such weighty magnitude that only a small, strong few have truly discovered the way to survive its trying and mettle-testing powers.
I'm talking about where to put your sunglasses when you're not wearing them on your face.
It's a huge issue that many Americans today do not want to admit is real... The never-ending conundrum of how to store your shades when you are indoors, while still looking cool. Fortunately, there are men out there on the front lines, taking the heat for all of us, searching tirelessly for the answer to the greatest question of our time. And I am in awe of the ones who have found the answer.
Now I don't know about you, but I do know that if I were this epically awesome and super badassly cool enough to own shades as aesthetically perfect as these, you bet your sweet sorority ass I'd display them in as many fresh, dope, ill, and, yes, sick ways possible. Shades like this just scream "HIGHLY INTELLIGENT BEING!!!" Forget about the classic styling and sleek lines of a solid pair of Wayfarers, the striking, balanced visual of some unpretentious aviators, or even the total-badass look of a pair of lowrider lokes; if your sunglasses aren't polycarbonite, mirrored-and-shotgunproof-lensed, they're gettin' picked last for kickball.
Don't get me wrong; I do love me some McConaughey... Some McConaughey, mind you. But you know what? I know what a dude learning how to surf looks like. I don't need to see it over and over. Plus, I hate Lance Armstrong. I think there's a connection, right? I might be a bit behind.
But I digress.
Sunglasses. This is for the guys out there. There are only a few acceptable places to store your dark glasses when they are not being used. One is right on top of your head. Easy enough. This looks easy and breezy, very California when coupled with a t-shirt or no shirt, very New York when paired with a black turtleneck. Then there is your jacket or shirt pocket. This will make you look very cool in an old-man-badass sort of way, as if that pocket should also be loaded with your softpack of Marlboros, a racing form, and forty percent of your paycheck in cash.
Okay, that's it. The only two places you should ever stash your smoky specs. Now for the unacceptables.
1. As far as "unacceptables" go, this is the closest to being acceptable. Still, it's a bit coke-dealeresque.
2. Your forehead? I'm confused. Why stop there? Why not go all the way up, where you will still look cool, your shades are in no real danger of falling off, and they act as an impromptu headband?
3. Back of shirt collar. This is the method de douche I see most often. I don't understand how it got so popular. First of all, it's in no way a quick and easy thing to do. I had to actually think about it when I posed for this pic. Secondly, I just take issue with this on a philosophical level. Is the front of your person so dope, fresh, and ill that you can't mess up the lines? Are you trying to hide the fact that you have sunglasses? Then why'd you pay $300 for those Oakleys, broheim?
4. Back of the head. Wow. This one I really don't get. Are you trying to be funny? Are you trying to frighten people into thinking that you really do have eyes in the back of your head? I'm gonna tell you something right now. You don't. You know how I know? Because I'm flipping you off behind your back and you still haven't gone all MMA on my hippie ass. This method is typically employed by dudes with bicked heads. Lord knows why.
So there you have my take on the storage of your dark glasses. Yes, I feel quite strongly about it, and yes, I did use my lady's shades in the photoshoot, because, why not? I already look like a jackass wearing 'em on the back of my head.
I'm talking about where to put your sunglasses when you're not wearing them on your face.
It's a huge issue that many Americans today do not want to admit is real... The never-ending conundrum of how to store your shades when you are indoors, while still looking cool. Fortunately, there are men out there on the front lines, taking the heat for all of us, searching tirelessly for the answer to the greatest question of our time. And I am in awe of the ones who have found the answer.
Now I don't know about you, but I do know that if I were this epically awesome and super badassly cool enough to own shades as aesthetically perfect as these, you bet your sweet sorority ass I'd display them in as many fresh, dope, ill, and, yes, sick ways possible. Shades like this just scream "HIGHLY INTELLIGENT BEING!!!" Forget about the classic styling and sleek lines of a solid pair of Wayfarers, the striking, balanced visual of some unpretentious aviators, or even the total-badass look of a pair of lowrider lokes; if your sunglasses aren't polycarbonite, mirrored-and-shotgunproof-lensed, they're gettin' picked last for kickball.
Don't get me wrong; I do love me some McConaughey... Some McConaughey, mind you. But you know what? I know what a dude learning how to surf looks like. I don't need to see it over and over. Plus, I hate Lance Armstrong. I think there's a connection, right? I might be a bit behind.
But I digress.
Sunglasses. This is for the guys out there. There are only a few acceptable places to store your dark glasses when they are not being used. One is right on top of your head. Easy enough. This looks easy and breezy, very California when coupled with a t-shirt or no shirt, very New York when paired with a black turtleneck. Then there is your jacket or shirt pocket. This will make you look very cool in an old-man-badass sort of way, as if that pocket should also be loaded with your softpack of Marlboros, a racing form, and forty percent of your paycheck in cash.
Okay, that's it. The only two places you should ever stash your smoky specs. Now for the unacceptables.
1. As far as "unacceptables" go, this is the closest to being acceptable. Still, it's a bit coke-dealeresque.
2. Your forehead? I'm confused. Why stop there? Why not go all the way up, where you will still look cool, your shades are in no real danger of falling off, and they act as an impromptu headband?
3. Back of shirt collar. This is the method de douche I see most often. I don't understand how it got so popular. First of all, it's in no way a quick and easy thing to do. I had to actually think about it when I posed for this pic. Secondly, I just take issue with this on a philosophical level. Is the front of your person so dope, fresh, and ill that you can't mess up the lines? Are you trying to hide the fact that you have sunglasses? Then why'd you pay $300 for those Oakleys, broheim?
4. Back of the head. Wow. This one I really don't get. Are you trying to be funny? Are you trying to frighten people into thinking that you really do have eyes in the back of your head? I'm gonna tell you something right now. You don't. You know how I know? Because I'm flipping you off behind your back and you still haven't gone all MMA on my hippie ass. This method is typically employed by dudes with bicked heads. Lord knows why.
So there you have my take on the storage of your dark glasses. Yes, I feel quite strongly about it, and yes, I did use my lady's shades in the photoshoot, because, why not? I already look like a jackass wearing 'em on the back of my head.
Thursday, July 29, 2010
The Buttercream Gang
Feeling blue? Uncertain about the future? The economy, terrorism, social injustice, poverty, racial tension, genocide, oil spills, nuclear proliferation, and iPhone Death Grip got you down? Well, do like I do, and just take a gander at these nice, sweet boys:
Dear Reader, it's my pleasure to introduce you to the one and only Buttercream Gang. Standing, left to right, are Pete, Eldon, and Lanny, and that crazy kid they're struggling to hold up is Scott. They're just four fun-lovin', good deed-doin', talkin'-to-their-parents-about-daily-struggles guys, who love nothing more than devising ingenious plans to get inside the Widow Jenkin's home after she fell down and couldn't get up and jumping rope with the neighborhood kids (Eldon reluctantly performs his patented "Earthquake" show that involves him skipping rope and then falling on his ass—a skill which proves quite useful when the Gang is faced with subduing a home invader).
At any rate, their story opens with eldest member and gang president Pete moving from Elk Ridge to Chicago to live with his aunt. He nominates Scott for president, who is easily voted in by the other two chubby and thereby regarded with less respect and considered incapable of leading Buttercreamers. In the course of three minutes we see that Pete has fallen in with an (all white) street gang called "The Blades," and is getting into trouble at school and with the law. He has begun dressing like some sort of scrawny Chicano/Italian mobster hybrid and throws the "shaka" sign to his homies, who basically look like a moronic hillbilly version of West Side Story.
It's pretty awesome.
Long story short, Pete gets 86ed from his Aunt Maria's place in Chicago ("I thought you'd be a good influence on my kids!") and returns to Elk Ridge, where he promptly recruits a new gang and teaches them all the tricks and nuances of being a vicious street gang, like how to steal Twinkies and throw rocks at bottles out by the railroad track. It's chilling. After Pete really crosses the line by tossing a firecracker through the window during the school dance, Scott confronts him, setting off a series of unfortunate events that result in Scott getting his ass whipped. However, love rules the day as Scott, Eldon, Lanny, and the rest of the good citizens of Elk Ridge never give up on Pete, no matter how hard he tries to get them to leave him alone. Scott never stops following him around, asking things like, "Why aren't we friends anymore? Don't you still enjoy having tickle fights with guys two or three years younger than you? Don't you know your street gang terrifies the old people when you ride your BMX bikes around and dump cans of Pringles on each other's heads? DON'T YOU KNOW YOU CAN NEVER LEAVE YOUR SMALL-TOWN LIFE BEHIND?!?"
This shit starts to get truly spellbinding when Mr. Graff, owner of Graff's Market, tries to give Pete money out of his cash register so he won't technically be "stealing" it, and Scott just lets him have his sweet ten-speed when Pete decides he wants it for his own.
Screw that. That's right about the time Pete would be picking up his teeth with broken fingers on my planet. But I digress.
The Buttercream Gang, though not officially an LDS production, is teeming with the kind of family values one would expect from Mormon writers, directors, actors, and caterers (I heard the jams and jellies on set were simply Celestial-Level-of-Heavenly).
Family Values:
Ah yes, the Buttercreamettes. The girls of the town who decide the Gang needs their help keeping an eye on Pete and the Elk Ridge chapter of The Blades. Our wisdom-bomb-dropper of a film makes no apologies for, nay, even encourages spying on people. The Buttercreamettes, most of whom are about four years old, sit and gaze coldly upon Pete at all turns, relaying later what they discover to Scott and his two cherubic pals. To what end, you ask? Oh you know, just to be sure that Pete has fully gone to the Dark Side and is truly in need of their redemptive outreach.
In the end, Pete splits for the mean streets of Chicago once again and Scott comes home one day to what looks like an intervention; after several tense and suspense-filled moments which culminate in Scott's father telling the town pastor that he should tell Scott the news, considering he has "more experience with things of this matter," we discover that Pete has shaped up and is now in a good-boy gang (still dressed like a cholo/mobster/hillbilly) that reaches out to bad-boy gangs. Scott's love prevailed!
Seriously, I thought they were going to tell Scott that Pete had offed himself as a result of his emotional downward spiral brought on by wearing bandanas and high-wasted baggy pants. Those filmmakers really know how to throw a twist! Whew!
Yes, I own this movie. Yes, it's on VHS, and yes, I paid a quarter for it at the Mennonite thrift store. Come on over, we'll get Buttercreamed together!
Don't They Just Give You Cavities?
Dear Reader, it's my pleasure to introduce you to the one and only Buttercream Gang. Standing, left to right, are Pete, Eldon, and Lanny, and that crazy kid they're struggling to hold up is Scott. They're just four fun-lovin', good deed-doin', talkin'-to-their-parents-about-daily-struggles guys, who love nothing more than devising ingenious plans to get inside the Widow Jenkin's home after she fell down and couldn't get up and jumping rope with the neighborhood kids (Eldon reluctantly performs his patented "Earthquake" show that involves him skipping rope and then falling on his ass—a skill which proves quite useful when the Gang is faced with subduing a home invader).
At any rate, their story opens with eldest member and gang president Pete moving from Elk Ridge to Chicago to live with his aunt. He nominates Scott for president, who is easily voted in by the other two chubby and thereby regarded with less respect and considered incapable of leading Buttercreamers. In the course of three minutes we see that Pete has fallen in with an (all white) street gang called "The Blades," and is getting into trouble at school and with the law. He has begun dressing like some sort of scrawny Chicano/Italian mobster hybrid and throws the "shaka" sign to his homies, who basically look like a moronic hillbilly version of West Side Story.
It's pretty awesome.
Hang Loose, Vato
Long story short, Pete gets 86ed from his Aunt Maria's place in Chicago ("I thought you'd be a good influence on my kids!") and returns to Elk Ridge, where he promptly recruits a new gang and teaches them all the tricks and nuances of being a vicious street gang, like how to steal Twinkies and throw rocks at bottles out by the railroad track. It's chilling. After Pete really crosses the line by tossing a firecracker through the window during the school dance, Scott confronts him, setting off a series of unfortunate events that result in Scott getting his ass whipped. However, love rules the day as Scott, Eldon, Lanny, and the rest of the good citizens of Elk Ridge never give up on Pete, no matter how hard he tries to get them to leave him alone. Scott never stops following him around, asking things like, "Why aren't we friends anymore? Don't you still enjoy having tickle fights with guys two or three years younger than you? Don't you know your street gang terrifies the old people when you ride your BMX bikes around and dump cans of Pringles on each other's heads? DON'T YOU KNOW YOU CAN NEVER LEAVE YOUR SMALL-TOWN LIFE BEHIND?!?"
This shit starts to get truly spellbinding when Mr. Graff, owner of Graff's Market, tries to give Pete money out of his cash register so he won't technically be "stealing" it, and Scott just lets him have his sweet ten-speed when Pete decides he wants it for his own.
Screw that. That's right about the time Pete would be picking up his teeth with broken fingers on my planet. But I digress.
"I'm gonna get in your face so hard I'll have to change my name from 'Pete' to
'Captain Sinus Cavity Dweller Man'!!!"
'Captain Sinus Cavity Dweller Man'!!!"
The Buttercream Gang, though not officially an LDS production, is teeming with the kind of family values one would expect from Mormon writers, directors, actors, and caterers (I heard the jams and jellies on set were simply Celestial-Level-of-Heavenly).
Family Values:
- You can't leave your past behind.
- You should never let someone else try to leave their past behind.
- You should never beat the crap out of someone who refuses to stop being a total dick (especially when they're being a total dick because you won't let them leave their past behind).
- The women are always watching (see: Buttercreamettes).
"I just overheard Scott say Pete stole treats from Graff's. Eavesdropping leaves me feeling cold and empty. I am finally ready to wear the holy Pull-Ups®."
Ah yes, the Buttercreamettes. The girls of the town who decide the Gang needs their help keeping an eye on Pete and the Elk Ridge chapter of The Blades. Our wisdom-bomb-dropper of a film makes no apologies for, nay, even encourages spying on people. The Buttercreamettes, most of whom are about four years old, sit and gaze coldly upon Pete at all turns, relaying later what they discover to Scott and his two cherubic pals. To what end, you ask? Oh you know, just to be sure that Pete has fully gone to the Dark Side and is truly in need of their redemptive outreach.
In the end, Pete splits for the mean streets of Chicago once again and Scott comes home one day to what looks like an intervention; after several tense and suspense-filled moments which culminate in Scott's father telling the town pastor that he should tell Scott the news, considering he has "more experience with things of this matter," we discover that Pete has shaped up and is now in a good-boy gang (still dressed like a cholo/mobster/hillbilly) that reaches out to bad-boy gangs. Scott's love prevailed!
Seriously, I thought they were going to tell Scott that Pete had offed himself as a result of his emotional downward spiral brought on by wearing bandanas and high-wasted baggy pants. Those filmmakers really know how to throw a twist! Whew!
Yes, I own this movie. Yes, it's on VHS, and yes, I paid a quarter for it at the Mennonite thrift store. Come on over, we'll get Buttercreamed together!
Seriously, What Do You Do?!?!?!?
Tuesday, July 13, 2010
Cherokee Nation?
Here's a little game for you to play. Next time you're in a bar and you meet someone new, when the question of ethnicity comes up (which it always does), count how many times you hear the word "Cherokee."
I guarantee you'll hear it every time.
"Oh, I'm part English, French, Irish, and Cherokee."
"My mom is Scottish and Belgian, and my dad is Welsh, Greek, and Cherokee."
"Me? I'm Tahitian, Laotian, Lithuanian, and a little Native American."
"Native American? What kind?"
"Cherokee!"
We truly do live in a Cherokee Nation!
It's comforting to know that although our country effectively stamped out an entire culture, one portion of that culture got busy with at least one member of every single family tree in the nation, ensuring that their blood would forever course through the veins of everyone from frat boys and club girls to sad-bastard singer-songwriters and love-bead-selling professional hula-hoopists.
But why just the Cherokees? Were they more prone to feel the effects of beer goggles than all other tribes? They had to have been; have you seen what your ancestors looked like after that ocean voyage and the good times they had at Ellis Island?
Why weren't any other tribes making babies with white people? No one ever says "I'm part Belorussian, Finnish, and Pokanoket," or "Spanish, French, Albanian, and Ho-Chunk." I think the answer is to be found in Linguistic Darwinism. People simply like to say "Cherokee." It sounds strong and gentle at the same time. Tough, yet poetic. Badass, yet ready to shed a solitary tear at the drop of a bag of trash. Okay, so Iron Eyes Cody was actually a Sicilian, but c'mon! That's what we're talking about here, people... Accepting each other for the Native Americans we all deep down truly believe we are. But I digress. Linguistic Darwinism holds that the human mind subconsciously predicts what words or types of words its owner's kin will enjoy repeating or at least will have no trouble repeating, and leads the person to gravitate toward people called by that word, eventually mating with them and providing a secure future of delightful and culturally with-it conversation for their hipster offspring.* When was the last time someone told you they were part Tlinget or Miwok? That's right, never.
*I am totally making this up.
So what I'm wondering is, where are all the free scholarship students? I can't think of a single instance when someone told me they were one of the People and then followed that up with tales about how bitchin' college was without the stressful burden of tuition. If I was part Cherokee, you'd better believe I'd be up in that Family History Library in the SLC looking to prove that shit and score my formazione libera. I'm pretty sure that's how this guy learned to speak English, solve complex equations, and order the perfect martini:
Hey, Pierce, a truly integrous actor would have said to the casting agent, "Hey, thanks, but I don't think this role is really for me." Now, Daniel Day Lewis as Hawkeye... AWESOME. Friggin' mountains of awesome.
I guarantee you'll hear it every time.
"Oh, I'm part English, French, Irish, and Cherokee."
"My mom is Scottish and Belgian, and my dad is Welsh, Greek, and Cherokee."
"Me? I'm Tahitian, Laotian, Lithuanian, and a little Native American."
"Native American? What kind?"
"Cherokee!"
We truly do live in a Cherokee Nation!
It's comforting to know that although our country effectively stamped out an entire culture, one portion of that culture got busy with at least one member of every single family tree in the nation, ensuring that their blood would forever course through the veins of everyone from frat boys and club girls to sad-bastard singer-songwriters and love-bead-selling professional hula-hoopists.
"O Great Father Sun, Please Shine Upon Your Cherokee/Danish Earthchild in This Journey of Great Tribulation Called Burning Man"
But why just the Cherokees? Were they more prone to feel the effects of beer goggles than all other tribes? They had to have been; have you seen what your ancestors looked like after that ocean voyage and the good times they had at Ellis Island?
Seriously Tore-Up Immigrants
Why weren't any other tribes making babies with white people? No one ever says "I'm part Belorussian, Finnish, and Pokanoket," or "Spanish, French, Albanian, and Ho-Chunk." I think the answer is to be found in Linguistic Darwinism. People simply like to say "Cherokee." It sounds strong and gentle at the same time. Tough, yet poetic. Badass, yet ready to shed a solitary tear at the drop of a bag of trash. Okay, so Iron Eyes Cody was actually a Sicilian, but c'mon! That's what we're talking about here, people... Accepting each other for the Native Americans we all deep down truly believe we are. But I digress. Linguistic Darwinism holds that the human mind subconsciously predicts what words or types of words its owner's kin will enjoy repeating or at least will have no trouble repeating, and leads the person to gravitate toward people called by that word, eventually mating with them and providing a secure future of delightful and culturally with-it conversation for their hipster offspring.* When was the last time someone told you they were part Tlinget or Miwok? That's right, never.
*I am totally making this up.
"Stands With a PBR" and "Dances With Whorish Sorority Sisters"
So what I'm wondering is, where are all the free scholarship students? I can't think of a single instance when someone told me they were one of the People and then followed that up with tales about how bitchin' college was without the stressful burden of tuition. If I was part Cherokee, you'd better believe I'd be up in that Family History Library in the SLC looking to prove that shit and score my formazione libera. I'm pretty sure that's how this guy learned to speak English, solve complex equations, and order the perfect martini:
"Owl. Grey Owl."
Hey, Pierce, a truly integrous actor would have said to the casting agent, "Hey, thanks, but I don't think this role is really for me." Now, Daniel Day Lewis as Hawkeye... AWESOME. Friggin' mountains of awesome.
I would TOTALLY stay alive no matter
what occurred for this guy.
Speaking of Hawkeye Pierce, here's a photo of a tattoo that completely reaffirms my belief that whomever coined the phrase "no regrets" should totally be given a Nobel-Super-Wise-Person Prize:
So seriously, play the game, have a good time, and don't forget who told you about it: Chief Laughing Bull of the Winnebagos.
"Uh, yeah, man, your new tat is wicked awesome. You wanna borrow my power sander now?"
So seriously, play the game, have a good time, and don't forget who told you about it: Chief Laughing Bull of the Winnebagos.
Wednesday, July 7, 2010
I'm Chill! I'M CHILL!!!!!!!!!!!
Actually, I'm really not that chill, apparently. I used to be. I used to be super way chill. Like crazy damn chill. Mondo crazy chill. It used to be, at one time, a person sitting at dinner who suddenly quivered and trembled for no apparent reason would say, "Oh, I just got a Clucas." A couple on a date would walk into a movie theater, and the guy would increase his chances of a second date by saying, "Would you like my coat? It's awfully Clucasy in here."
Everything changed, though in about 1995, when other dudes started getting real chill. Like, wicked mad chill. There was something about that year, something in the air that really started to mellow dudes out nationwide. The zeitgeist of the country had really begun to be shaped by the effects of a post-Cold-War, post-Desert-Storm-Mother-of-All-Ass-Whippings-Upon-Peoples-Not-Us, and dudes across the country were starting to feel safe. Not just the kind of safe you feel when you know a few karate moves or when you and bros are rolling six deep down the boulevard, but the kind of safe assured to you by the world's sickest military machine in history. The kind of safe you feel when you know that no matter what, at the end of the day, great men like Jack Ryan, Lieutenant John McClane, and Sergeant Roger Murtaugh are taking it upon themselves to personally ensure your freedom from fear by kicking as much commie, fascist, and criminally active diplomat ass as possible.
It's that kind of safe that makes a man relax. Really relax. Chill. Chill and relax. If only someone could come up with a compound slang word to describe that sensation. But I digress. It's that kind of relaxation that produces in a man the need, the indescribable urge, to let the cuff of his jeans ride five or six inches underneath his heel to rest comfortably and raggedly between the sole of his foot and his flip-flop. The need to wear flip-flops with jeans in the first place. Without this level of chill we'd have no Smirnoff Ices, no trucker caps, no DMB. This country would collapse in a steaming pool of rage and aggression.
There is certainly something to be said for the man who has become so comfortable in this post-destruction-of-Ivan-Drago world that he can pick up the crappy guitar that his roommate traded to him for a couple bars of Sex Wax and a lid of pakalolo, learn two and a half chords, and become this rich-ass guy:
"No, I insist, take my coat... Just give me about 20 minutes."
Everything changed, though in about 1995, when other dudes started getting real chill. Like, wicked mad chill. There was something about that year, something in the air that really started to mellow dudes out nationwide. The zeitgeist of the country had really begun to be shaped by the effects of a post-Cold-War, post-Desert-Storm-Mother-of-All-Ass-Whippings-Upon-Peoples-Not-Us, and dudes across the country were starting to feel safe. Not just the kind of safe you feel when you know a few karate moves or when you and bros are rolling six deep down the boulevard, but the kind of safe assured to you by the world's sickest military machine in history. The kind of safe you feel when you know that no matter what, at the end of the day, great men like Jack Ryan, Lieutenant John McClane, and Sergeant Roger Murtaugh are taking it upon themselves to personally ensure your freedom from fear by kicking as much commie, fascist, and criminally active diplomat ass as possible.
"Yeah, man, I was at Dumbo Drop. It made me the cop you now see before you."
It's that kind of safe that makes a man relax. Really relax. Chill. Chill and relax. If only someone could come up with a compound slang word to describe that sensation. But I digress. It's that kind of relaxation that produces in a man the need, the indescribable urge, to let the cuff of his jeans ride five or six inches underneath his heel to rest comfortably and raggedly between the sole of his foot and his flip-flop. The need to wear flip-flops with jeans in the first place. Without this level of chill we'd have no Smirnoff Ices, no trucker caps, no DMB. This country would collapse in a steaming pool of rage and aggression.
"YES!!! KICKING BACK!!!"
There is certainly something to be said for the man who has become so comfortable in this post-destruction-of-Ivan-Drago world that he can pick up the crappy guitar that his roommate traded to him for a couple bars of Sex Wax and a lid of pakalolo, learn two and a half chords, and become this rich-ass guy:
"Chairs are for the tense, bro. Namaste, or whatever."
I knew I shoulda learned to play the guitar like the Indigo Girls. Or all those youth pastors I went to college with.
And now for the real Jack Johnson, just to keep you smart:
Chill is Fifteen Rounds in the Blazing Nevada Sun,
Laughing at Your White Supremest Opponent All the While
Laughing at Your White Supremest Opponent All the While
Labels:
clucas,
dave matthews,
dmb,
dumbo drop,
indigo girls,
ivan drago,
jack johnson,
jack ryan,
murtaugh,
sex wax
Friday, June 25, 2010
USA ROCKS
I'm pretty sure my favorite thing about the Statue of Liberty is that she's well-rounded. As you probably know, she rides a Harley. This, on top of the fact that she is a beacon of hope, a vanguard of freedom, and a symbol for all that is America, makes her a pretty sweet chick. What you may not know about her is that she's also in a band.
The band is called "USA ROCKS," and they certainly do, considering they are the the largest supergroup on Earth, the band with the greatest economy, the most diverse resources, the broadest assortment of cultures, and the largest and most technologically advanced street team in all of history. Finding themselves closely rivaled during the bulk of the 20th Century by Russian prog-rock combo Gorby Parque, the Rocks solidified their rock supremecy when American DJ and rock icon "Rockin'" Ronnie Reagan demanded during MTV's pilot broadcast of the short-lived MTV Democracy, "Mick Gorby, turn down your amps!" The award-winning pinko lead singer obliged, setting the stage for the eventual dismemberment of Soviet prog-rock worldwide.
A Brief History
In the fall of 1959 four very individual, very talented philosophy students found themselves forging a new sound based on many of the folk songs of their particular places of origin. Songs like "When Johnny comes Marching Home Again (Tra-La-Tra-La-La-La-La, Live For Today)" and "Square Deal Gone Down" launched them to the top of the charts and the exit polls. Fueled by the differences that at times drove them to the brink of collapse, The Rushmores, as they called themselves, released the highly acclaimed Meet the Rushmores in 1960, pushing the boundaries of both the young genre of rock and roll and democracy itself.
Originally fronted by vocalist T.J. Rider (Thomas Jefferson), the band also consisted of guitarist and songwriter Teddy Bluesevelt (Theodore Roosevelt), bassist Abraham "Hammer" Lincoln, and drummer St. Georgie Washingtone (birth name unknown).
By the release of their second album later in 1960, the members agreed that the addition of a vocalist who could focus only on singing would benefit the sound of the group, allowing Rider to expand his use of keyboards, theramin, and hurdy-gurdy during live performances. The band's relationship with late-50's/early-60's Irish-American crooner Johnny F. Kennedy ("Oh Danny Boy-Oh-Boy," "Good Golly Miss Molly Malone") garnered them much media attention during the Bay of Gigs fiasco in April 1961, at which many more Cuban fans than were expected arrived at the small "Bay of Gigs" club south of Havana, and hundreds of American fans were turned away at the door. The following year the band's reputation was restored at the Cuban Music Convention, at which their closest Russian rivals at the time, the Cruise Chevys, quietly packed up and went home, admitting that they "just couldn't follow that act." It was at this point the Rushmores changed their name to USA ROCKS. Their momentum, however, came to an abrupt halt when Kennedy, on a solo tour of the American South, was mysteriously killed in the Texas city of Dallas in November of 1963.
After a short hiatus, the band replaced Kennedy with former Flowing Robes singer Lady Liberty (Marie-Jeanne Roland), a French transplant to New York who had, at one time, carried the distinction of being the only female vocalist to have a top-ten single in the folk, blues, and jazz charts simultaneously with her enormously popular protest song "Huddled Masses." Her brief marriage to Stéphane Grappelli contributed greatly to her early love and use of Gypsy Jazz forms in her writing. Liberty was featured alone on the cover of the eponymous fourth USA ROCKS album (1970), an indication to many that she would soon be venturing forth as a solo artist, an indication that proved true but which never encroached on her dedication and commitment to the band.
The band continues to release new material and tour worldwide, encountering resistance to their sound only in places where the daily struggle to survive seems to take precedence over the support and enjoyment of trite pop frivolity. All of the band members have taken on solo projects with varying degrees of success, most notably Washingtone's darkwave group Valley Forge. Valley Forge garnered critical success with their 1982 concept album Crossing the River of Souls and its outstanding track "Beware, Delaware."
The band is called "USA ROCKS," and they certainly do, considering they are the the largest supergroup on Earth, the band with the greatest economy, the most diverse resources, the broadest assortment of cultures, and the largest and most technologically advanced street team in all of history. Finding themselves closely rivaled during the bulk of the 20th Century by Russian prog-rock combo Gorby Parque, the Rocks solidified their rock supremecy when American DJ and rock icon "Rockin'" Ronnie Reagan demanded during MTV's pilot broadcast of the short-lived MTV Democracy, "Mick Gorby, turn down your amps!" The award-winning pinko lead singer obliged, setting the stage for the eventual dismemberment of Soviet prog-rock worldwide.
A Brief History
In the fall of 1959 four very individual, very talented philosophy students found themselves forging a new sound based on many of the folk songs of their particular places of origin. Songs like "When Johnny comes Marching Home Again (Tra-La-Tra-La-La-La-La, Live For Today)" and "Square Deal Gone Down" launched them to the top of the charts and the exit polls. Fueled by the differences that at times drove them to the brink of collapse, The Rushmores, as they called themselves, released the highly acclaimed Meet the Rushmores in 1960, pushing the boundaries of both the young genre of rock and roll and democracy itself.
Promotional Photo for Meet the Rushmores!
"Do not rock softly and carry a bitchin' Jackson"
—Teddy Bluesevelt
—Teddy Bluesevelt
T.J Rider
The Ever-Charming Johnny Kennedy
After a short hiatus, the band replaced Kennedy with former Flowing Robes singer Lady Liberty (Marie-Jeanne Roland), a French transplant to New York who had, at one time, carried the distinction of being the only female vocalist to have a top-ten single in the folk, blues, and jazz charts simultaneously with her enormously popular protest song "Huddled Masses." Her brief marriage to Stéphane Grappelli contributed greatly to her early love and use of Gypsy Jazz forms in her writing. Liberty was featured alone on the cover of the eponymous fourth USA ROCKS album (1970), an indication to many that she would soon be venturing forth as a solo artist, an indication that proved true but which never encroached on her dedication and commitment to the band.
The band continues to release new material and tour worldwide, encountering resistance to their sound only in places where the daily struggle to survive seems to take precedence over the support and enjoyment of trite pop frivolity. All of the band members have taken on solo projects with varying degrees of success, most notably Washingtone's darkwave group Valley Forge. Valley Forge garnered critical success with their 1982 concept album Crossing the River of Souls and its outstanding track "Beware, Delaware."
Washingtone pioneered the drumming technique
now known as "Saber Stickin'"
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